Socialist doctrines had an important influence on Korean writers and intellectuals of the early twentieth century. From the 1910s through the 1940s, a veritable wave of anarchist, Marxist, nationalist, and feminist leftist groups swept the cultural scene with differing agendas as well as shared demands for equality and social justice. In The Proletarian Wave, Sunyoung Park reco...(展开全部)

Socialist doctrines had an important influence on Korean writers and intellectuals of the early twentieth century. From the 1910s through the 1940s, a veritable wave of anarchist, Marxist, nationalist, and feminist leftist groups swept the cultural scene with differing agendas as well as shared demands for equality and social justice. In The Proletarian Wave, Sunyoung Park reco...(展开全部)

Focusing on previously neglected cultural expressions of colonial-period Korean socialism such as Marxist philosophy, Marxist historiography, and travelogues by socialist writers, The Red Decades reveals Marxian socialism as a cultural phenomenon of colonial-age Korea. Providing an account of the social composition of the Communist milieu in 1920s and 1930s Korea and outlining ...(展开全部)

Focusing on previously neglected cultural expressions of colonial-period Korean socialism such as Marxist philosophy, Marxist historiography, and travelogues by socialist writers, The Red Decades reveals Marxian socialism as a cultural phenomenon of colonial-age Korea. Providing an account of the social composition of the Communist milieu in 1920s and 1930s Korea and outlining ...(展开全部)

彼得·比格尔（Peter Burger），1936年生，1971年起任德国不来梅大学法国文学与比较文学教授。著有《先锋派理论》、《现代主义的衰弱》、《唯心主义美学批判》、《中介一接受一功能》（论文集）和《艺术体制：现代德国文化与文学》（与克丽斯塔·比格尔合著）等。

彼得·比格尔（Peter Burger），1936年生，1971年起任德国不来梅大学法国文学与比较文学教授。著有《先锋派理论》、《现代主义的衰弱》、《唯心主义美学批判》、《中介一接受一功能》（论文集）和《艺术体制：现代德国文化与文学》（与克丽斯塔·比格尔合著）等。

From Shuzo Oshimi, the creator of Blood on the Tracks, The Flowers of Evil and Happiness. I just want to see it! High schooler Yumeko is your ordinary high school girl except she's obsessed with seeing the male body part in real life. Determined, Yumeko decides to join the art club at school.

Convinced that all aspects of modern culture have been affected by avant-garde art, Poggioli explores the relationship between the avant-garde and civilization. Historical parallels and modern examples from all the arts are used to show how the avant-garde is both symptom and cause of many major extra-aesthetic trends of our time, and that the contemporary avant-garde is th...(展开全部)

Elaborates a dialectics of modernity, eternity and tradition.